'Boneshaker' a steampunk novel by Cherie Priest. Read, reviewed.

Having read the Mortal Engines series, I was was just about ready to give another steampunk novel a crack. Summarised as a steampunk novel in 19th Century Seattle, with zombies (Huzzah!), I was intrigued by the premise of Cherie Priest's 'Boneshaker'.

There's a lot of story, but I'll try not to spoiler too much. Essentially Seattle has been subject to a disaster apparently caused by the heroine's (Briar) husband, Leviticus Blue. The upshot is that a gas is released causing people to become 'rotters' (read zombies) and the city becomes a no-go area and walled off. Years later, Briar's son wants the truth about his father and breaks into the city where drug runners and other very random characters have made a (sort of) life for themselves. Of course Briar goes after him and the truth of Leviticus Blue's death, or otherwis, is revealed.

But that's not even a small proption of all the shenannigans! In fact, for me, that is the key slight weakness. It's not a long novel, and it's not that the descriptions are too slight compared to the action. It's just that the events and places come so thick and fast that perhaps any real sense of place and character is diluted somewhat. There is atmosphere, but we are at such a pace that it isn't given time to 'brew' sufficiently. To that extent the writing style was similar to a movie script. Particular dramatic moments seemed to be over-written in amongst a dramatic series of events in a longer quest story. There were very strong and simply drawn characters with clearly defined (and predictably developed) relationships. I think the movie script idea holds - indeed I have read that the rights have been bought and I think it would make a great film.

I liked Briar though, fiesty, at times awkward and unsure. Strong-willed and independent. The other characters were not so 'rounded' and left me a little cold in my opinion. There was a pantomime villain at the end and some interesting allies. But what do I know? For me it was a 2 and a half out of 5, but with potential.

Overall then, not as successful as my first steampunk outing. Modern steampunk may still be finding it's feet, so might Priestly. thnakfully still a few more to read though ... watch this space.

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Posted in: books,Steampunk

Mortal Engines : A steampunk novel series.

Well, this was all a bit of an accident.


I stumbled on the book title while researching steampunk novels. You see, since finishing Martin's 'A Game of Thrones' and Robin Hobbs' first Farseer series, I'd been in a bit of a book lull. Casting around the interweb, I'd thought I'd read some of this new/oldfangled thing called steampunk. I was curious. I liked the Philip Pullman 'His Dark Materials' series - a bit steampunky. I like the Dystopian Legions figures (and got some). I like Warmachine. So ... what else was out there?

And when I say stumble upon I literally stumbled upon the first in the series of Phillip Reeve's 'Mortal Engines', just lying about. I think one of my boys must have read it at some point. Having seen it mentioned, I flicked it open and started to read...

Immediately sucked in.

While there may be a very valid claim that these are 'kids books' - and I can't really dispute that description - just like Pullman and Tolkien’s 'The Hobbit', there is a charm and allure about these novels which is beyond merely children's fiction. The characters are vivid and engaging, the locations threatening and sinister, and the events are dramatic, tense and frequently sombre.

I'll try not to spoil too much.



P.S. Respect to the chapter titles...



Tom Natsworthy works on London. On London because it's a moving city. Cities move in this time - thousands (how many?) of years in the future after war has ended civilisation as we know it now. But how do these cities survive? By 'eating' other cities, after all that's what Municipal Darwinism means. Swallowing other cities to take what is needed to keep your city going. But then there are the anti-tractionists who live in static settlements at war with the moving predatory mechanical conurbations. There are the icy wastes where Anchorage roams and the hidden city under the sea where the Lost Boys creep out.



But this is merely (almost apocalyptically?) a back drop. The lives of the characters - at first Tom, then troubled Hester then Valentine, Shrike the dead mechanical soldier and so on - all come into focus over the course of the four novels. And in time moves on... the story evolves. The history rolls forward, the narrative expands. More characters, stranger locations. But all held together with a desperate desire to hold on to life – and love.

But I could give too much away.

This series is highly recommended – at least by me. It’s not just children’s fiction. Reeve’s skill, compared to other novels I’ve read in the steampunk genre, is that he doesn’t try too hard. There aren’t endless explanations about the backward steampunk technology. Or overwritten dramatic moments which have a movie script in mind. The novels have a very human and frequently, tragic thread. Everything isn’t always alright. Pain hurts. Tension is unpleasant. People are scarred.

But then there’s the power of human experience and the strength of the connections you make with one other.

I was sold.

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Posted in: books,Steampunk

Dystopian legions ; Steampunk crazy Britannia.

At the moment I'm juggling a lot of things on the painting table. One day I got carried away and jumped, in a bit of a rush, into painting one of the Dystopian Legions Britannia infantry troops. Then it all ground to a halt for a while and Flames Of War took over , then I did a little more. Then I paused again... Not a great deal to do though, so here is a progress update on it.

For the record most paints are GW :

Macragge Blue - Blue wash then Ultramarine blue for the trousers.
Mechrite Red - Blood red, brown wash then Blood Red for the tunic.
The helmet  = Bleached Bone and brown wash with Bleached Bone/white highlights.
Pouches/webbing white, sepia wash, then white again.

Early on.

Then a bit later on.

As always, the model looks a complete 2-and-8 at this point, but then nearer the end of the process it sorts itself out somehow. I dunno, I suppose it's some form of magic.

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Posted in: current projects,Dystopian Legions,Steampunk